Amazon Oasis, or a Desert?

To me they are one and the same: e-book reader = Amazon Kindle. But there are many other existing options for e-books including the Apple iPad and the Nook. How did the Kindle become one of the more dominant and successful providers of e-books and e-readers?

I am ashamed (or proud?) to admit that I am a loyal Amazon customer. Amazon is almost a curse word in the print publishing world, representing all that is evil in the world, but especially predatory pricing.
This rivalry can probably be best summed up by an encounter related by George Packer of The New Yorker in his op-ed on Amazon. Roger Doeren of Rainy Day Books met Amazon founder Jeff Bezos at BookExpo America back in 1995, sitting by a sign that declared a young Amazon as “Earth’s Biggest Bookstore,” and the following conversation ensued:

 “Where is Earth’s biggest bookstore?”
 “Cyberspace,” Bezos replied.
 “We started a Web site last year. Who are your suppliers?”
 “Ingram, and Baker & Taylor.”
 “Ours, too. What’s your database?”
 “Books in Print.”
 “Ours, too. So what makes you Earth’s biggest?”
 “We have the most affiliate links”—a form of online advertising.
 Doeren considered this, then asked, “What’s your business model?”
 Bezos said that Amazon intended to sell books as a way of gathering data on affluent, educated shoppers. The  books would be priced close to cost, in order to increase sales volume. After collecting data on millions of customers, Amazon could figure out how to sell everything else dirt cheap on the Internet. (Amazon says that its original business plan “contemplated only books.”).
 Afterward, Doeren told his partner at Rainy Day Books, Vivien Jennings, “I just met the world’s biggest snake-oil salesman. It’s going to be really bad for books.”

Packer condemns, but also at the same time praises, Bezos’s business model. Extreme supporters of online book retailers and publishers claim that classic print publishers are a relic of the past, even that they do not have the customer’s best interests at heart when setting prices or delivering the books that they demand.

The Telegraph put out a rough timeline of e-books back in 2010, marking the beginning at the launch of Project Gutenberg back in 1971. Its next mark is in 1993 when Digital Book Inc. offers its customers a floppy disk containing 50 e-books, two years before Amazon begins selling printed books online. Amazon stuck with this format for a relatively long time—The Telegraph puts some of the first e-book reader sales in 1998, and Amazon didn’t launch its Kindle e-reader until 2007.

Apparently, Amazon had built enough of a customer base that they didn’t have to worry about being late to the e-reader party. According to Joe Roberts of Trusted Reviews, “Amazon’s first e-reader, only released in the US, sold out in five and a half hours and remained unavailable for five months. It seems people at the time couldn’t wait to pay the $400 necessary to get their hands on this bulky contraption with its strange slanted keyboard and angled edges.” I don’t remember the launch of the Kindle as a big wow moment in my personal history, but my mom, my dad, and I all own different versions of the Amazon Kindle. It’s like an insidious e-book invasion. Jeff Bercovici of Forbes isolated the numbers from the impassioned rhetoric of Packer’s article, reporting that 19.5% of all books sold in the U.S. are Kindle titles—and this was in 2014. And this article was published just months before the launch of Kindle Unlimited, an e-book subscription service for $9.99/month. This is actually more expensive than two other competing services, Scribd and Oyster.

Yet I am a subscriber to Amazon Prime and Amazon Unlimited. I buy into the perceived convenience. Perhaps I’m finally realizing the monopoly and monopsony that is Amazon. Will I stop buying from them? Probably not.

John Henry Days Book Trailer

Colson Whitehead’s second novel, John Henry Days, is a complex book that intertwines multiple narratives and themes into a cohesive plot. As much as I enjoyed reading the book, I thought it might be hard to reduce to just one 30 second book trailer.

I had many questions as to how I could construct this video. Should I pull quotes from the book for a voice-over? I reviewed some of the major plot lines and devices, but no one sentence really combined these issues together. What if I used a song about John Henry? Besides issues of copyright, the folk tale of John Henry (and Whitehead’s re-imagining of John Henry) did not jive with the fast-paced work song and ballad. I did have a grand time listening to Harry Belafonte and Johnny Cash while researching for this video, though.

Eventually, I was inspired most by the cover artwork. Railroads track throughout the book, tying John Henry’s story into that of disaffected “junkateer” J. Sutter. I also tried to tease the audience with the book reviews from the cover. I hope that, by keeping it simple, I have created enough of a mystery to pique a viewer’s interest in the book.

Cooking with Alcohol: My Drunk Kitchen with Hannah Hart

I’ve found my new personal hero.

Or at least my new favorite YouTube host.

It’s amazing that I had never seen an episode of My Drunk Kitchen with Hannah Hart before “researching” this article (revisiting all of my adolescent-favorite YouTubers, namely Smosh and NigaHiga, who have become much more polished but no less hilarious in their delivery). Drinking, cooking, eating and puns (in whatever order you like) are right up my alley.

Harto, as fans such as myself like to call her, posted her first video back in 2011 after drinking a bottle of her sister’s wine and attempting to make a grilled cheese with no cheese. It had just been a gag video for one of her friends, but with some encouragement, Hannah posted the video online as the first My Drunk Kitchen. Luckily, it was a success, and Hartosexuals began to clamor for more videos. Now, Hannah has almost 2.5 million subscribers and she has won the 2013 Streamy Awards for Best Female Performance: Comedy and the 2014 Streamy Awards for Best Comedy. She has also used her fame to publish her own parody cookbook and write and star in her own film.

My Drunk Kitchen basically follows the same formula of picking a food to cook and getting drunk while making it, delivering a final recipe with mixed results. However, the success is all due to the delivery, and possibly the editing. Never have I believed in the phrase “write drunk, edit sober” more than when I watch her videos. Not only is Hannah a comedic genius when drunk, she must also be a savant when it comes to editing whatever material arises from her drunken filming. There is a healthy mix of quick cuts and long pauses that surely point to heavy editing. I know if I attempted to make an episode of My Drunk Kitchen, I would end up with a lot of drunken slurring and maybe some burned bacon to show at the end. Hannah does allow some of the sloppiness to show through, but it’s usually only in the form of glazed-eyed contemplation or maybe a beer burp. Magically, it seems to only make her more charming.

Another key component to Hannah’s delivery are her wonderfully punny jokes and endearing personality. All of the episodes are generally organized around a theme, and Hart will cheerfully drive that theme into the ground while delivering positive messages to her followers.

Hannah also generally operates on a solo basis in her own kitchen, but her collaborations with other comedians and YouTube stars are the videos that truly shine. John Green makes an appearance as Pizza John, Sarah Silverman smokes a blunt, and Rosanna Pansino cries over her under-achieving microwave.

Even if the jokes or themes are scripted, the humor feels genuine and spontaneous, as if you were just drinking and cooking with your friend, Hannah.

“Mijoo in the Middle” with Aejoo Park

I sat down with Aejoo Park to discuss her new and exciting podcast.

Q: What is the name of your podcast, and who will be your cohost?
A: “Mijoo in the Middle” with Michelle Morrison.

Q: How did you come up with the name for your podcast? How does it relate to the content of your podcast?
A: Mijoo is the combination of our names: Michelle and Aejoo. It was our nickname for our nickname for our friendship and then we realized “Mijoo in the middle” sounds like “meet you in the middle.” We don’t always agree on things and sometimes we find ourselves on the opposite ends of opinions or attitudes, but we realized that the right thing to do or the best option is somewhere in the middle. Hence, “Mijoo in the Middle.”

Q: What will be the basic content of your podcast?
A: Michelle and I will be discussing different topics in general, but our first podcast will be focused on dating.

Q: What gave you the idea for this particular podcast?
A: We talk about dating. A lot.

Q: Why should people listen to your podcast, as opposed to others about relationships?
A: We think we’re pretty funny and we think other people will agree. We have some interesting personal stories to share and we can offer insightful perspectives on dating that we feel like haven’t been discussed yet.

Q: Will the podcast be scripted or is it going to be more free-flowing?
A: The podcast will not be scripted but we will follow a very basic outline to make sure we don’t go off track.

Q: What other topics do you think you and Michelle will be discussing?
A: We can talk about anything. We like to talk about the church, food, Boston, higher education, and work life. Basically anything that is relevant to our lives. We’re pretty savvy on pop culture as well so we can talk about television, movies, and music. The whole world is our oyster!

3 Reviews for NPR’s “Wait Wait…Don’t Tell Me!”

I’m a reader first, a writer second, but where on this list does “podcast listener” fall? Nowhere, as far as I knew. It took a little bit of time, but I’ve been a “podcast” listener all my life. NPR, though primarily a radio publication, has easily jumped into the podcast world. I’ve listened to these people report the news and spin tales in the car with my dad ever since I can remember, and I’ve even sipped coffee with my boyfriend’s family while listening to “Car Talk.” My favorite show, though, was “Wait Wait…Don’t Tell Me!” Here are three differently styled reviews on why “Wait Wait” is such an awesome show.

Publishers Weekly, Starred Audio Review

Hosted by Peter Sagal, NPR, weekly

This weekly, hour-long quiz show by NPR is a dynamic and cerebral spin on the stranger aspects of the news. Hosted by Peter Sagal, at-home callers can pit their knowledge of the current news against news and entertainment experts. The show has been on the air since 1998, but its lively pace and engaged hosts and listeners have kept it relevant even into the digital era of podcasts. NPR may still be seen as a show for old men and pretentious hipsters, but “Wait Wait…Don’t Tell Me!” is a consistently strong feature that continues to come out swinging with its comedic prowess and political wit. The formula is old, but it hasn’t gotten tired yet. The segments of the show are in a pat formula that nevertheless adapts itself to the constantly changing topics that NPR brings to the forefront of national consciousness each week. “Wait Wait” expands the consciousness of people of all ages, and remains a successful bridge between radio and podcasts.

NPR Audio Review

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Kathryn Hanssen for NPR here. Not to toot our own horn, but we have quite a few good podcasts and radio shows that you should listen to if you’re not already. One of these is “Wait Wait…Don’t Tell Me!” Now, this is a show I grew up with—one the way home from school, my dad would flip on NPR, sending me instantly to LaLa Land. Something about those sonorous newscaster voice…anyway, “Wait Wait” has always brought so much more energy to every show than the average NPR broadcast. This show maintains the perfect balance between informational and entertaining that has kept listeners calling in to participate since 1998. Join me and “Wait Wait” host Peter Sagal as we discuss what makes his quizzing radio show so popular with NPR listeners of all ages.

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Wait Wait…DO Tell Me! Why you should be getting your news from NPR’s weekly quiz program http://www.npr.org/programs/wait-wait-dont-tell-me/

Starting Your First Podcast

My shocking ignorance has become an annoying loop over the course of my blog writing, but at this point it’s too late to expect anything else. I don’t know anything about podcasts. Glad that’s out of the way. I got my own iPod for Christmas sometime in middle school or high school, and I dutifully bought and downloaded music through one of Apple’s mp3 devices. I never really got into listening to the eponymous podcasts just gaining traction in iTunes margins. It may have been a question of maturity for both myself and for podcasts, but podcasts fell off my personal radar until recently.

Now, podcasts cover a wide range of topics, hosted by a diverse array of podcasters. From small, single-person podcasts run out of basements to hit shows such as Serial and the TEDx Talks, today’s podcasts are versatile in form, appealing to audiences, and growing by the day. With the right resources and mindset, anyone can start a podcast.

There are just four basic pieces of equipment needed to start a podcast: a microphone, a computer, audio editing software, and access to the internet. All of the beginner tutorials on creating a podcast recommended specific tech for the job, but all of them agree that whatever works best for you is what is best for your podcast.

1. Microphone. Again, bloggers and podcasters all recognized the correlation between microphone quality and sound quality, general rule of thumb being that the more you pay, the better the sound. Alan Henry for lifehacker gives a round-up of microphones.
But really, any cheap microphone with an input that is compatible with your computer will work. I know I won’t be paying for a $100 microphone. Ever. As an amateur, I think I can live with static-y or distorted recordings for a little while. If my podcast were ever to become lucrative, then I might consider an upgrade.

2. Computer. Next, you’re going to need a place to store and to edit that audio information picked up by your sub-par microphone. Any computer purchased within the last few years is assumed to have the proper amount of hutzpah left to be able to parse through this information.
My laptop is a PC, but I’ve had some trouble with it whenever I’ve attempted to learn any new aspect of digital publishing. Mac vs. PC shouldn’t make a difference in this case, but I’m starting to believe that a lot more programs have been designed for Mac’s to ease the way for bumbling designers and newbie programmers. Don’t count me as a convert just yet, though.

3. Audio editing software. This software will allow you not only to record your podcast but also to edit it and enhance it with sound effects. Again, lifehacker has a nifty list of programs but abouttech also presents a few options. Both recommend the popular Audacity, a free and open-source editor that is downloadable for Mac and PC.

4. Internet access. It seems silly to include the ubiquitous internet as a must-have for podcast production, but it is important to have access to a high-speed connection in order to upload larger audio files online. In a more theoretical sense, the internet is the venue that will connect you to your listeners. The internet is what helps to set podcasts apart from radio shows, giving readers quick and (mostly) free access to the content they care most about.

5. Bonus: Headphones. Headphones give the recorder immediate feedback on what they sound like, without CAUSING feedback. Apologies ahead of time if, like me, you hate how your voice sounds in a recording.

Having the correct equipment is a great start to a podcast. Now the hard part, coming up with your own voice and message. Maybe I should have thought about this first…

6. Message. There are lots of important questions to ask yourself before creating a new podcast, and they’re all interconnected with your voice and message. It will be important to crystallize in your mind what exactly your podcast will be about. What is its theme or basic message? Can you envision yourself writing an indefinite amount of podcasts about this subject? Is your message something that will change and grow organically as you go along?

7. Voice. The message of your podcast can be about something you already love, and this enthusiasm will shine through not only your words but also your inflection. The podcast can take on anything from an academic tone to a comedic one. The way you treat your subject will determine the kind of audience you attract.

Great—now you’ve created a podcast that sounds awesome. What do you do to spread the word to your potential audience?

8. RSS Feed. RSS means “really simple syndication,” and it’s another aspect that sets podcasts apart from radio shows. RSS along with other software captures podcasts and collects them into one place for the consumer to listen to at their leisure.

9. Blogs. Now, a blog may seem redundant if you’re starting a podcast. However, some podcasters begin with their own blogs and expand to an auditory component after becoming popular in a traditional article by article format. Or vice versa. Basically, there seems to be more and more demand to be able to do it all. But don’t let the quality of your content suffer. While blogging and podcasting are very different and can be used in different ways, it’s more important to play to your strengths.

10. Social Media. Social media is a great tool for any blogger or podcaster because it is versatile. Social media can be used to reflect and even strengthen the message and voice of your podcast. It is also helpful for reaching out to your audience and letting them reach out to you and each other. Social media remains one of the primary ways that people hear about newly emerging podcasts, and a good crowd-sourced review can go a long way in helping your audience continue to grow.

Don’t Panic, It’s Just Coding

When I signed up for this class, I didn’t really know what I was getting myself into. HTML and CSS? JavaScript? Responsive design? Whatever these things were, they were for computer nerds, not for me.

Anchorman

Still, I knew it was necessary, and I came to class prepared to learn.

I was so lost that first day. I looked around the room, and everyone else seemed to be so far ahead already. How was I going to catch up?

doctor who

Every new piece of terminology, instead of being passively absorbed by my brain, would crash against my eardrums and cause a fresh wave of panic to overcome me.

panic

At first, I just copied whatever my teacher told us to do. I stumbled through the web design lesson plan on Codecademy.

dog

After a couple of weeks, I felt that I was finally gaining confidence in my “coding skills.” I decided I could strike out on my own.

And just like that, that false confidence was shattered.

star trek
WHAT HAVE I DONE?

Nothing was working. I was a failure.

But really, I found out I was just having trouble transitioning from the school Macs to my laptop, which is a PC—go figure. Again, my teacher saved me from a downward spiral of depressed worthlessness.

calm down

So, I still am not an expert at this coding thing…but that’s alright. I know enough now to read a line of code without automatically shutting down. I know enough to search for tutorials on things I don’t know yet.

I knew enough to create a small webpage for my internship. That was huge.

I know enough coding to be dangerous.

“I’ve got this.”

Misadventures in Coding

I began this semester of Electronic Publishing as green as the Jolly Green Giant. Hypertext markup language? What did that even mean? And forget about CSS, Javascript, PHP, etc.—I had no plans of going anywhere near that stuff. Slowly, though, I’ve been taking steps towards learning this foreign language.

Codecademy has been a major help to me with learning basic internet programming. I could read how-to’s on any number of other instructional websites, but being able to practice each technique in Codecademy has really boosted my confidence when approaching HTML and CSS (but we’ll see how I do as the techniques become more advanced!). It was a lot of fun hitting each benchmark in their lesson plan, almost a game. I may even have started to become a little too cocky, pretending as if my speed was critical to achieving my goals, forgetting that accuracy was much more important.

Take for example this small section of code from their beginner-level “Make a Website” course:

Codecademy screeshot
Screenshot of coding lesson on Codecademy.

Mimicking the instructional section is easy, but I sometimes got lost in the practical section. I might have been instructed to insert another paragraph, and I would forget to add a backslash to finish a paragraph, or leave out a quotation mark on the end of the container designation. When I tried to continue with the lesson, the incomplete code would not render properly.

As the HTML became longer, it became increasingly hard to find these seemingly innocuous mistakes. I became frustrated as I wasted time scanning for an error I didn’t believe existed.

I couldn’t find an easy fix for this problem, but I wanted to write this post as a reminder that even the little things can change how your coding will render (or not) on the webpage. As a beginner, I was trying to advance to the next step too quickly and I was forgetting important characters to close my tags and attributes.

At this point, all I can do is keep an internal mantra going of “open div, close div,” and go SLOWLY. Speed will come with practice, just as long as I practice accurately.

The Indy Star – Then and Now

I never paid attention to newspaper publications before I moved to Boston. Back home, if I wanted to know what was going on in the world, I just turned on the TV. As I matured (read: didn’t want to pay for television or internet), I started looking for alternative ways to get my information. I finally started following news outlets on Twitter and Facebook, and through these social media sites, I reconnected with my hometown newspaper, the Indianapolis Star.

Screenshot of Indy Star
Screenshot of Indy Star

The IndyStar.com has come a long way—back in December 1998, the website was known as StarNews.com, and it looked like this:

Screenshot of older Indy Star Version
Screenshot of older Indy Star Version

No wonder I didn’t read it. Back then, articles were organized almost randomly, split between two large sections: “News/Sports” and “Marketplace.” There were three different search bars, adding to the confusing organization. Design-wise, the one column for the news stories could stretch a little long, especially when combined with the crazy amount of white space taking over the page.

The IndyStar.com has done a lot to distance itself from those dark days as the StarNews.com. The color scheme has been updated from the gaudy blue and yellow to a more sophisticated royal blue and black. The menu bar has been expanded to include Life, Things To Do, Travel, Opinion, Obituaries, Weather, Archives, Insider, USA Today, and Media sections. Also, the website acts as a slideshow between each section of the menu. This, along with the featured articles at the top of the page, make the website a lot easier to navigate. If the StarNews.com staff could have taken a time machine to today, they would have been amazed by the amount of content the IndyStar.com crams onto their homepage. It may even be too much content, because even I am a little overwhelmed by all of the slideshows and pictures when I am not looking at the mobile version. Even the “Quick Links” bar to the left isn’t really quick or easy, as you have to make guesses to what the content will be.

The problems don’t end there. The amount of scripts (about 40) being run at any time, from the Facebook Comments plugin to the integrated ad content contribute to the slow load time– almost thirty seconds for the home page– regardless if the ad blockers are on or not. Besides that, the IndyStar.com website is not very accessible, with not enough contrast between the black and blue columns, and not enough space between the many lines of text. Many of the pictures and links don’t include alternative text, which would be a problem if the scripts interfered with the loading of the page any more than they do already.

The one difference from 1998 to now that is an improvement through-and-through is how the IndyStar.com integrates its content in the mobile version. The top menu is turned into a hamburger icon, eliminating a good chunk of the extraneous text. The “Quick Links” column is cut entirely, which also reduces confusion. The site may turn into an infinite scroll at times, but at least the mobile version allows you to disseminate the content at leisure.

Meet Kathryn

I’m from Indiana, one of the more boring states of the Midwest. Most of the time I don’t even bother saying the town I’m from when introducing myself. If anything, I’ll say I’m from Indianapolis, which is the most recognizable city near me. I moved to Boston to attend graduate school at Emerson College, and my boyfriend and our two cats (named after Game of Thrones characters) tagged along.

I only had a faint sense of what publishing means when I joined the program. I barely know enough about digital publishing to begin framing my ignorance into coherence. I’m pretty sure I need to learn basic coding, or at least how to use website creating platforms. I want to know how to transform my basic social media identity into my “brand identity,” creating an online presence that is professional but also relevant in and interactive with the publishing world. In fact, I really don’t know how to sort through the white noise online in order to discover what websites and which bloggers are important. The only thing I did know about digital publishing before coming into the program was that e-books suck—or at least many have typos and formatting issues that I would love to learn how to improve. In fact, e-books should have more interactivity, and I hope to be a part of that development.

I have a lot to learn, but I know that I have the tools at hand to succeed. I’m currently working on completing a half-marathon in all 50 states, so I know I’m determined. I work at Starbucks, so I have the caffeine to fuel me. Most importantly, I go to Emerson College, so I’m working and learning in a competitive environment with passionate and creative people who all share a similar dream. I know that because of all these things, I will rock at the E-Publishing Overview and the Writing and Publishing graduate program at Emerson College.